NOT ONE
NOT TWO
DANCE -THEATRE COLLECTIVE
Not One Not Two was founded by Paula RoNie and Ana Bulovic as a product of their path towards the 'Onwards' realm. The collective places the focus of its creative energy in the construction of experiences where the dramatic, the intellectual and the extraordinary meet harmoniously. Each creation carries a strong shared enthusiasm for adventure into the many layers of understanding of the subjects that are approached. They are certain that in art, the message that is more worth communicating is that which was born from deep comprehension and perception. Their work uses dance and physical theatre as main elements of expression and add to this aerial acrobatics, elaborate costumes and unworldly scenery to offer a journey into the extraordinary.
PROJECTS
SOJOURN
Visual Theater w/ new circus and live music
Sojourn tells a story of growth and overcoming, it is a journey in which the conscious realm merges with the archetypal voices of the subconscious in a constellation of physical theater, contemporary circus and live music and visuals. It is the theatrical interpretation of the music album Sojourn, composed by Ana Bulovic.
HALL OF CAUSALITY
Immersive art installation
What is time? Apart from the clock, apart from the sunrise and the sunset, the beauty of the sunrise, the beauty of the sunset, apart from the light and the dark, What is time? - Jiddu Krishnamurti
An immersive journey which revisits the human as a time-producing, time-dependent or timeless organism.
Contemporary theater
In a village there was a house. In a house there was a woman. In the woman there were three secrets...
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Arrivals is an experimental theatre piece born from the first wave of exploration of slowness and non-intentionality as a principle for accessing the subconscious mind.
ARRIVALS
WHITE FLOWER RED
Mask Dance-Theater piece
White Flower Red explores the origin of morality in human beings. It is inspired in a myth-shaped story by S. Freud in his attempt to explain the universality of the incest taboo. With the use of masks, interpretative dance and animated ligths, the piece takes a step into the extraordinary
ÆGOTHERIC
Theater piece
We do not live in the age of spirituality, we live in the age of spiritual need. Spirituality enters all too easily in the game of the optimization of the self, just one more tool to relieve the suffering and keep afloat. There are many who profess themselves guides of this kind of spirituality, playing the self-aggrandising game from their end. But the spirit is a dangerous thing to play around with. In the alteration of the spirit lies the seed of freedom, and its distortion holds the seed of madness.
TUTUS LICHTWELT
Children's visual theater piece
A creative interplay between projections in a huge canvas and puppets poping out of the screen. The story is about the young girl Tutu who embarks on a magic journey. She encounters strange characters and from their interaction sprout teachings. As she returns to the normal world she has gained inner strength and empathetic power.